Skip to main content

Wellcome Collection - I had no idea!

I had no idea what was behind the doors of the Wellcome Collection in NW1 and I have to say I was pleasantly surprised, it's fantastic! The WC explores the connections between medicine, life and art in the past, present and future. Established under Sir Henry Wellcome's will in 1936, it echos his passion for medicine and displays many pieces from his collection of over a million objects.

As you walk into the main entrance you are greeted by Anthony Gormley's cast iron figure hanging upside down which is certainly eye-catching and very appropriate given the Collection's link to the human body.


There are usually several exhibitions on at any given time including a cross-section of Henry Wellcome's extraordinary collection of objects. I was quite fascinated by the exhibition titled 'The Body' which examines new techniques and ways of looking at out internal biological structures and functions.

This glass sculpture by Luke Jerram represents the swine flu virus, subtype N1H1 and was blown by glassblowers Brian Jones and Norman Veitch


This sculpture by Anne Cattrell is one of a series that shows the activity patterns of the human brain as it represents one of each of the five senses. MRI scans were produced then converted into three-dimensional physical structures of amber resin using a rapid-prototyping process.


This etching by Heather Barnett (working with Infoterra Mapping Company) was produced using three-dimensional mapping technologies more commonly used to create Ordinance Survey maps. It represents a young man's face with contour lines etched into stainless steel and I love it, really effective.
 


Moving on to the permanent exhibition of Sir Henry Wellcome's objects. With over a million pieces in his collection, they are regularly rotated so that you can see a good cross-section at any one time. Wellcome had a strong interest in the links between anthropology and health. Ethnographic material, including a huge number of masks, make up more than one half of the collection.


There is also an impressive cabinet full of medical instruments, used for a variety of procedures such as limb amputation some of which are quite alarming!



.......but none more so than this little gem which I shall leave you with!........


Comments

Popular posts from this blog

Wendy Dolan talk on Art, Architecture and Stitch

I had a lovely evening at Chiltern Embroidery and Textile Group in Tylers Green earlier in the week, it was good to be back there after giving my own talk back in March. I took my Mum and a friend to see a talk given by Wendy Dolan on 'Art, Architecture and Stitch' which was right up my street! Wendy is a textile artist who uses fabrics and threads to create textured designs with some wonderful results. I have met Wendy several times before as she is from Sussex (where I grew up) and we also have some mutual friends.   Wendy's talk covered how she develops her work from sketchbooks through to her final designs and she showed us photographs that had inspired her from a variety of places such as Barcelona and Venice. My work is also very sketchbook led so I could easily identify with her thought process. I am also drawn to textures but Wendy's work differs from mine in that she starts with plain coloured fabrics, stitch and thread -

How to start a sketchbook project - Part 1

Since I've started a new sketchbook recently I thought I could do a diary of sorts to explain how I have put the various sections together. I chose the theme of 'Layering' as I was looking through some old A-Level Art & Design question papers and this topic appealed to me. If you want to create your own sketchbook obviously you could choose any theme you like, just make sure that it's something that interests you and you will find plenty of inspiration. I favour an A3 size sketchbook but there are no hard and fast rules on this, and it's best to go for a scale that you feel comfortable with. I started out with a title page and a 'mind map' of written ideas of anything that I felt could relate to the theme of 'layering', a brainstorm of sorts. This is a good way to get over the dreaded 'first page fear' when you just can't bring yourself to start your pristine book and any mark you make is overly scrutinis

'Marine Life' Sketchbook,

Having taken part in several Open Studio events, I have come to realise how much people do like to look at a sketchbook. I find creating the books a hugely enjoyable process and I'm still referring back to and using some of the imagery from the ones I did some 25 years ago! In this post I thought I would give you a quick flick through my 'Marine Life' book which is a more recent creation and helped to inspire my 'Shoal' and 'Sea Garden' ranges. Once I've chosen a theme I generally do a mind map and look at all the different areas I could explore within that theme. Over the next 5-10 pages I play around with different images, textures, media and scale to explore the possibilities. I also like to focus on a few artists or designers that inspire me too and may relate to my theme. I might do a few pages combining their style with mine and my theme and see what happens. I recently wrote an article for 'Workshop on the Web'