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Hockney at the NPG - a reminder of my own life drawing classes!

Shortly before all the Coronavirus closures I was lucky enough to see the David Hockney : Drawing from Life exhibition at The National Portrait Gallery in London which was such a treat and featured 150 of his drawings made throughout his life. I saw a previous show of his at the Tate back in 2017 but that was a different collection of works with not so much of a focus on portraits. I have a real admiration for those artists that specialise in portraits, particularly self-portraits. I can clearly remember ‘those’ exercises in my Art classes and let’s just say it was not my forte. I’m sure it is a skill that requires practice but I never had the patience and I was always drawn to a different sort of design but I have the utmost respect for those artists like Hockney that have absolutely ‘cracked it’.      As this pencil self portrait of a 19 year old Hockney shows, even before he attended the Royal College of Art, his creative abilities were evident and he had clearly
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Dancing in the dark

DANCING IN THE DARK It is quite commonplace for someone to say that they can’t draw. Whilst I agree that some individuals find it comes to them more easily than others, I take issue with those that are so quick to dismiss it as even a possibility. It saddens me to think that this avenue of creativity is closed to some, or at least, they think it is. Years of teaching design to teenagers has reaffirmed my belief that a large part of the problem is simply a lack of confidence. I don’t mean to make light of it but it really is quite amazing how quickly improvements are made once the initial barrier is broken through. I usually start students off in pairs sitting opposite each other with a sheet of paper and a pen (not pencil) in hand. The idea is to draw the person opposite in a continuous line without looking at the paper - this not only creates a room full of hysterical laughter but it also loosens everyone up and relaxes them into the task. I specify a pen as the default posit

Sketchbook Project Part 4 - Cabbages!

  Isn't nature amazing?! Just a few slices of a red cabbage produces such incredible patterns that it is very hard to believe that it is all natural. This is the next section of my sketchbook for the 'Layering' project   Of course I couldn't resist pressing some paper onto these slices of cabbage to make the most of the patterns and the incredible violet purple juice which I used as a sketchbook page. I also took a photo of one cabbage slice and repeated the picture to create this almost psychedelic pattern. Then I played around with a combination of free machine embroidery and pen drawing on tracing paper over an enlarged cabbage slice print. Varying the scale can make for some exciting outcomes.   I used some wadding to do a quilted version of the pattern with some free maching embroidery that gave a good effect,. I then extended the pattern in my sketchbook with some line drawing to the edge of the page U

Sketchbook project - Part 3, Feathers section complete!

  Continuing on from my previous blogs looking at how I am developing my 'Layering' sketchbook, I have now completed the Feathers section. It's funny as I thought I'd almost finished it before but I kept having more ideas - inspired by Christian Dior and my grandmother (see below!). I had another look at a photo I took of some feathers I had collected on a walk recently and extended it using a black fineliner. It's amazing how many different styles, shapes, patterns and sizes of feather there are and that's on just one type of bird!   I was having a think about how I could develop my feather investigation into a product and decided to look at Dior's use of feathers in fashion over the years, some amazing pieces, particularly hats. It was then that I remembered something about my grandmother modelling hats in the 1930s so I had a chat to my Mum and looked through some old photos. Apparently in her 20s, my grandmother worked for Res

From fir cones to New Designers!

           Looking at the connections between layering (my current sketchbook theme) and nature made me think about a sketchbook I did at college which focused on fir cones. I did a 3D Design degree (Silversmithing) and for one of my projects I created a wall sconce which I developed from some fir cone sketches.  I studied fir cones that I had found in woods near my parents house in Sussex, some of which were partly eaten by squirrels. I drew the enlarged cone shapes in my A3 sketchbook using chalks, charcoal and my favourite (mentioned in my previous blog) the Karisma Graphite Aquarelle pencil.          I zoomed in on the fir cone scales and developed the shapes further.   I experimented with the introduction of folds to my forms which resulted in an exciting range of maquettes made from wire and card. These models resulted in two final wall sconces being made, measuring approx 45cms in height. Bot